Brunswick trackside walls are hot property in Melbourne. Its a balancing act of don't cap what you can't burn or try finding a new wall or if there's no wall space go up. Multi-storey graffiti is a sign of healthy and thriving graffiti scene. Its good to track change. Brunswick like most inner-city places has gone through a huge change in the last 10, 20, 30 years. Even since the 2013 visit I noticed lots has changed. More built up, more green space and graffiti is flourishing.
2013
The roll-up days of Ha ha and Sync. Ha ha featured in the Melbourne street art documentary Rash from 2005. Ha Ha was Melbourne's answer to Banksy. His passion and productivity for street art, was hugely influential. In contrast to his big bold roll-ups along train lines his main icon was his stencil work. Without artists like him its hard to imagine what the stencil scene would have been. In 2005 the stencil graffiti capital book was released. This boom in street art lead to laneways dedicated to stencil work like Canada Lane Carlton and Blender Lane in Melbourne. Interview with Ha Ha. We all but lost Canada Lane, fortunately it was immortalised somewhat in the book Uncommissioned Art an A to Z of Australian Graffiti. More on that later.
2024
Golfa appearing seemingly everywhere.
2013 Artists below
Retayner
Bailer
Bailer and Retayner famously put Melbourne on the map with their album Hedge Burners. Over Spray stands strong as one of Melbourne's best graffiti themed hip hop songs released in 2012. These two artists traversed the medium of lyrical abilities back to back with visual artforms. They've done it beyond most artists lifetime dreams. On one hand Retayner has released burners on walls across Melbourne and united the Oz hip hop scene to bring together to bring best unrivalled cyphers. Bailer's book Wall Stories was published, showcasing a comprehensive take on the Melbourne graffiti scene. Probably the biggest Melbourne graffiti book since the likes of Kings Way. Publishing anything on this scale in the graffiti scene is fraught with challenges where the legality of artwork can make writers run the other way. Between them a solid combination that's influenced the likes of many Melbourne and Australian artists.
2013
2024
To go back to the same walls 10 years later and see the same artists holding the yard, what a sight to behold. Especially in a trackside environment where the space is premium. Resume and Bailer piece holding ground. The new emergent generation pieces above of Kewl and Cola. There's consistently and increasingly a range of artists that get the highest and best spots, includes the likes of Uzi, Cola, World, Smel, Getting Up, Golfa and of course Nost and even Porke from New Zealand was notorious for it.
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